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Investigation 11: Advanced Topics Presentation & Critical
Response
- Due dates / Submitting your work.
- You will give a presentation and lead a discussion in class on November 30, December 2, or December 7, as assigned.
- You will submit a short critical response paper in class on one of these dates (your choice).
- Preparation
- Before starting this assignment, it is suggested that you
(re)read:
- Collaboration
- You
will develop your presentation and discussion questions in
groups of 2-3 (not necessarily your project team). You will choose
dates, topics, and partners via a Google spreadsheet to be linked here.
You will write your critical response paper alone. You may
obtain
feedback on the paper from anyone you like, but the ideas and
interpretation should be your own.
- Grading
- This assignment will be graded out of 40 points: 20 points per component. Criteria are
provided below.
Overview
In this investigation, you become the teacher. The goal of this is
to give you experience thinking, speaking, and writing critically about
future interfaces and/or the social implications of UI design. In this
assignment you will critically respond to a research paper, identify
key points for discussion, and organize and lead class discussion.
Article selection
I have provided a selection of CHI 2015 Best Paper award winners for
you to choose from (see below). My selection is intended to highlight
important social issues and cutting-edge interaction techniques.
Reading journal
For the paper you select, you will prepare a presentation / class
discussion. For a second paper, you will write a short critical
response essay. Details for
both appear below.
For the papers you are not presenting or writing an essay upon,
you will complete a short journal entry that answers the following two
prompts:
- In 1-2 sentences, explain your most
favorite idea from this paper and why you chose that idea.
[prioritization, translation]
- In 1-2 sentences, explain your least
favorite idea from this paper and why you chose that idea.
[prioritization, translation]
Presentation (20 points)
You will lead a 30-minute class discussion of your chosen research
paper. Leaidng discussion involves preparing a short presentation on
the assigned readings, as well as steering the class discussion of
these readings. You should expect to do some additional background
reading and research to prepare to lead class discussion.
Your goal in leading discussion will be similar to your goal in
writing a critical response (see below). You should think about the
same issues in preparing your presentation.
Plan on the following schedule for your presentation:
- ~5 minutes: Introduce the paper and general background
- 20-25 minutes: Lead discussion on the paper
- ~5 minutes: Peer feedback
In your presentation, you should spend a few minutes going over the
papers' background (key prior work, what else the authors have worked
on) and identifying the main points of the papers (problem, solution,
evaluation, contribution). Don't spend too much time here. This part
can be boring as your peers have read the paper already. If you can,
try to find a video or provide some additional perspective on the work
that wasn't in the paper itself.
You should spend most of your allotted time getting the class to
discuss how the papers relate to UI/UX concepts we have been talking
about. You will want to have prepared a number of discussion questions
designed to get an interesting conversation started. This task is not
easy and will require significant thought and plannign. Here are some
ideas/guidelines for making your discussion go well:
- When you think of a question, ask yourself, "How would I answer
this question? Is it interesting to think about?" If you have no answer
or think the question is boring, then so will your peers.
- Avoid questions that have only one reasonable answer. There
should be (at least) two perspectives; otherwise it's not really a
discussion. Try discussing the question with your group and see if you
can each take a side and defend it.
- Along the same lines, avoid leading questions where you bias the
class into answering one way or the other. For example, consider the
question, "Do you really
think they could learn anything from just five users in their study?"
This question will not lead to good discussion because you've already
told what you think is the right answer.
- Think about incorporating an activity that illustrates the ideas
in the papers. For example, once a student brought some clay and asked
the class to design tangible UI widgets.
- The more specific your questions, the better. Avoid the following
too-general questions (although it's okay to ask more specific versions
of them):
- What was good/bad about these interfaces?
- What did you think of the user study?
- How could the authors improve their work?
- It's okay to begin with some more general warm-up questions. For
example, you might ask people to share what they wrote in their reading
journals, or ask them to comment on some aspect of the work. However,
you should move towards more specific questions (see above).
- Make sure you actually talk about the paper you read. One of the
most common presentation mistakes is to go off on too many tangents and
spend little or no time actually talking about the work we all read. The majority of your
presentation/discussion should directly relate to the ideas in the paper.
- Finally, make sure you read the
presentation grading rubric and score yourself according to this rubric.
If you do everything the rubric tells you to do, you should get a good
grade on the presentation.
Prepare your presentation in advance. Slides are encouraged but not
required. Practice with your group before you present to the class. You
are invited to meet with Janet to go over your presentation any time
before hand. If you'd like, I can also bring your classmates' reading
journal responses to you before class.
Critical response (20 points)
You will also individually write
a 1-2 page critical response to a second paper (not the one you
present). Your response should go beyond simply summarizing the paper
to critically evaluate the work and relate it to other ideas from this
class. Be specific!
In writing your response, keep in mind the context in which the
paper was written. Find out who the authors are and what else they have
done. You don't have to explicitly mention this information in your
response (you can if appropriate), but it can help you put the
contribution or other aspects of the paper into context.
Take a position on one or more of the papers' main contributions and
then defend that position with specific support from the paper and
other readings for this class, in light of the points above.
Exactly what you address in your critical response is up to you, but
you should be sure that your response is well-structured and clearly
addresses salient and interesting points related to this class.
Print your critical response paper and turn it in during class.
Assessment
Presentation (20 points)
- Content: _______ of 3 points
- 0 = Did not convey any significant content from the paper or the
class.
- 1 = Covered the material in the paper and/or class, but not
critically (i.e., it was more of a summary), or did not make links
between class material and paper.
- 2 = Critically considered ideas in the paper and related them to ideas from class.
- 3 = Did everything from 2, and also incorporated material from the paper's references or other background research.
- Discussion:______ of 3 points
- 0 = No or almost no interesting points identified.
- 1 = Discussed authors’ points, but did not go beyond.
- 2 = Discussion based in authors’ points, but posed a few
provocative questions beyond the authors’ points OR Posed many engaging
questions but discussion was tangential to/did not tie into the content
of the papers.
- 3 = Posed many engaging, provocative questions that extend the
authors’ ideas and opinions. Used authors’ points mainly as a skeleton
for discussion, but focused clearly on the content from the paper.
- Organization: ______ of 2 points
- 0 = No clear organization.
- 1 = Some organization, perhaps around the structure of the paper. Flow may wander
a bit.
- 2 = Clearly organized around central points. Breaks away from the structure of the paper.
- Style: _______ of 2 points:
- 0 = Appears unrehearsed and unpolished. Little class involvement.
- 1 = Mostly smooth with some stumbles. Speaking clear, but
tentative
and/or too quiet. Class involvement flows well at times, but is
sometimes awkward.
- 2 = Rehearsed, professional and confident presentation. Class
involvement flows well most of the time.
Instructor feedback: ____________ out of 10
Peer feedback: _______ out of 10
Total: ____________ out of 20
Critical response (20 points)
- Critical perspective: ____________ of 1 point
- Well-focused, clear position, not overly negative (simply bashes
the paper) or positive (too rah-rah).
- Relationship to class topics: ____________ of 2 points
- 0 = no relation to class topics
- 1 = superficial/tangential relation to class topics
- 2 = analysis centered around/strongly supported by class topics
- Quality of analysis: ____________ of 3 points
- 0 = no analysis present
- 1 = weak analysis: only shallow ideas, or ideas from paper do not
support analysis topic well
- 2 = intermediate analysis: deep ideas and specific examples from
one paper included, ideas/examples moderately support the analysis topic
- 3 = strong analysis: deep ideas and specific examples,
ideas/examples make a clear case for analysis topic
- Organization: ____________ of 2 points
- 0 = No clear organization. Thesis statement and topic sentences
weak or missing. Paragraphs do not adhere to topic.
- 1 = Weak organization. Paragraphs generally address a single
topic, but may wander. Thesis sentence may be missing or weak. Weak
flow.
- 2 = Strong organization. Clear flow, good structure.
- Writing style: ____________ of 2 points
- 0 = Multiple grammar/spelling mistakes. Unnecessary wordiness.
Many sentence structure problems.
- 1 = Few grammar/spelling mistakes. Some wordiness. Few sentence
structure problems.
- 2 = (Almost) No grammar/spelling errors. Clear, concise writing.
Subtotal: ____________ x 2
Total: ____________ out of 20
Articles
- Affordance++: Allowing Objects to Communicate Dynamic Use
- Pedro Lopes, Patrik Jonell, Patrick Baudisch
- Affordance++ allows everyday objects to communicate dynamic use:
motion (spray can shakes when touched), multi-step processes (peeling
an avocado), and behaviors that change over time (don't grab the hot
cup by its body!).
- iSkin: Flexible, Stretchable and Visually Customizable On-Body
Touch Sensors for Mobile Computing
- Martin Weigel, Tong Lu, Gilles Bailly, Antti Oulasvirta, Carmel
Majidi, Jürgen Steimle
- iSkin is a soft-matter touch sensor for on-body input. The thin
and
elastic sensor film is customizable in shape and visual appearance. It
enables novel types of skin-worn devices.
- Acoustruments: Passive, Acoustically-Driven, Interactive Controls
for Handheld Devices
- Gierad Laput, Eric Brockmeyer, Scott E Hudson, Chris Harrison
- Acoustruments adds a new method to the rapid-prototyping toolbox
HCI practitioners and researchers can draw upon, while introducing a
cheap and passive method for adding interactive controls to consumer
products.
- BaseLase: An Interactive Focus+Context Laser Floor
- Jörg Müller, Dieter Eberle, Constantin Schmidt
- BaseLase is an interactive laser floor display. BaseLase covers a
very large projection area (75m2) with a low resolution context
projector, while it provides three movable high-resolution focus spots.
- ColourID: Improving Colour Identification for People with
Impaired Colour Vision
- David R Flatla, Alan R Andrade, Ross D Teviotdale, Dylan L
Knowles, Craig Stewart
- Presents three new colour identification techniques that help
people with impaired colour vision rapidly identify challenging colours
with almost 100% accuracy.
- Sharing is Caring: Assistive Technology Designs on Thingiverse
- Erin Buehler, Stacy Branham, Abdullah Ali, Jeremy J Chang, Megan
K Hofmann, Amy Hurst, Shaun K Kane
- This study examines open-sourced fabrication designs for
assistive
technology on Thingiverse.com and offers a description of the currently
available designs, designer demographics, and strategies for
diversifying this population in future.
- Unequal Representation and Gender Stereotypes in Image Search
Results for Occupations
- Matthew Kay, Cynthia Matuszek, Sean A Munson
- We explore the current state of gender portrayals in image search
results, finding evidence for stereotyping and misrepresentation. We
discuss several competing design goals for representation in search
algorithm design.
- Sangeet Swara: A Community-Moderated Voice Forum in Rural India
- Aditya Vashistha, Edward Cutrell, Gaetano Borriello, William
Thies
- Describes a vibrant community that emerged on an interactive
voice forum in rural India. Shows that voice forums can be moderated by
their own users, just like popular Internet websites.
- Tiree Energy Pulse: Exploring Renewable Energy Forecasts on the
Edge of the Grid
- Will Simm, Maria Angela Ferrario, Adrian Friday, Peter Newman,
Stephen Forshaw, Mike Hazas, Alan Dix
- Alongside Tiree islanders we investigated technologies for
synchronising energy consumption with supply, co-developing a local
renewable energy forecast display. We present the results and the
findings arising from this process.
- The Social Impact of a Robot Co-Worker in Industrial Settings
- Allison Sauppé, Bilge Mutlu
- We present results from a field study at three manufacturing
sites
examining the social relationship between a collaborative manufacturing
robot and human workers.
- “I always assumed that I wasn’t really that close to [her]”:
Reasoning about invisible algorithms in the news feed
- Motahhare Eslami, Aimee N Rickman, Kristen Vaccaro, Amirhossein
Aleyasen, Andy Vuong, Karrie G Karahalios, Kevin Hamilton, Christian
Sandvig
- In an algorithm awareness study on Facebook News Feed, most users
were unaware of the feed curation. We found that with more algorithm
knowledge, users engaged more with their feed.
- From User-Centered to Adoption-Centered Design: A Case Study of
an HCI Research Innovation Becoming a Product
- Parmit K Chilana, Andrew J Ko, Jacob Wobbrock
- Investigates the transition of an HCI research innovation to a
commercial product and highlights the tradeoffs in addressing end user
concerns versus the needs of product adopters and stakeholders.
Janet Davis (davisj@whitman.edu)
Created November 12, 2015
Last revised November 16, 2015
Acknowledgments: All parts
previously adapted by Jim
Boerkel
at Harvey Mudd College from an assignment by Christine Alvarado.
This work is licensed under a Creative
Commons Attribution-Noncommercial-Share Alike 3.0 United States License.